On the surface, everything about this appealed to me: the beautiful cover, the blurb, the themes. I still love of all of these, and the setting was brilliant, but unfortunately I didn’t find the novel quite as compelling as I’d hoped.
Part of the blurb reminded me of 500 Days of Summer, one of my favourite films:
This is Evan and Julia’s story.
This is a love story.
But no one says it ends happily.
This is a good start as far as I’m concerned. Most of my favourite novels have broken my heart!
Evan and Julia meet at Yale and fall in love. The couple move to New York City after graduating, where Evan has lined up a top job at a hedge fund. However, the financial crisis is beginning, Julia isn’t sure what she wants to do with her life, and as Evan dedicates more and more time to his career, we see the strain it puts on their relationship.
The temporal setting really appealed to me, since I also graduated during the recession. It was the first novel I’d read that dealt with the crisis from the perspective of a new graduate. The author did a great job of capturing the feeling of being completely lost after finishing university – at least for those of us who get to the end of however many years of study without knowing what we’d like to do.
There was a blend of the familiar and the fascinating, because although I could relate to this part of the novel, the world of hedge funds and bankers in New York City is a million miles away from what I know. I found this interesting, despite the detrimental affect on the characters. The series of events – and even the everyday niggles – that upset their relationship are carefully orchestrated by the author, so that we understand how the characters are led to the choices they make.
The main problem was that I didn’t connect with the characters as much as I needed to in order to really feel sorry for them when their relationship started to fall apart. There needed to be more build-up of their relationship during university, more evidence that it had once been good, in order to feel the loss when things went wrong.
Another aspect of the structure that added to the feeling of disconnect was that for the first half of the book, it didn’t feel like there was a main narrative holding the story together. It read like a series of vignettes, rather than interspersing flashbacks and anecdotes to illuminate aspects of the present storyline. I would also have been tempted to delete the prologue entirely: although parts of it are beautifully written, it made me question why they ever move in in the first place.
I am sure that there are fans of character-driven fiction that will enjoy The Futures, but, for me, the pacing meant that it didn’t quite have the emotional impact I had expected.
Thank you to NetGalley and Michael Joseph for the proof in exchange for a review.